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Audiobook — Eisenhorn Omnibus

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Underrated Movies

Storyteller's Rulebook

Tell Stories, Show Character
A Movie Is About A Person's Problem
Audiences Don't Want To Be Hurt
Beware Of Over-Motivation
Over-Motivation: The Proof
Talent CAN Be Taught
Movies Are Change, TV Is Fate
The Villain's Plan Comes First
Structure Was Discovered
Unhappy Endings Can't Be Easy
Sympathetic Doesn't Mean Likable
Depth is Found in Holes
Throw Away The Map
Take Away The Safe Spaces
Defying Expectation is Easy
They Call It Breaking In For A Reason
A Cell Phone Can't Solve the Problem
It's Not Just Luck and Skill
Twists Should Explain Everything
Buy The Canvas, Call The Shots
The Committee May Not Last
Be An Armchair Journalist
Listening To Real Cops and Crooks
Throw Everything Into Relief
A Screenwriter's Code of Ethics
Don't Count Liabilities As Assets
First You Have To Make A Thriller
Let It All Hang Out
Split One Person In Two
Know What They Do All Day
Be A Good God
Directors Need To Get Bored
Imagine You're On An Airplane
Be Unhateable
It Comes Right Out
Movie Heroes Can't Keep Their Cool
Thrillers are Nutty...
...But Creature Features Make Sense
Why Do Hamlet and Batman Delay?
Coping With Remake Fever
Prospectors and Alchemists
Objects Need Affection Too
Genre Is How It Feels
People Only Want What They Want
Do As They Did, Not As They Say
Leave a Question Unanswered
Kitchens are Better Than Bedrooms
Who's Chasing Who?
The Rule of Evidence, Part 1
The Rule of Evidence, Part 2
Embrace Coitus Interruptus
The First Rule of Write Club
Love Your Naysayer
Pure Isn't Always Better
You Have To Make It Wrong
What's Your Problem?
Do More Than One Thing
How to Succeed at Karaoke
Angry Minds Don't Think Alike
The Good Advice Problem...
...And the Bad Advice Solution
From Zero to Caring
Upsetting News Is the Best News
Catholics Beat Protestants Anyday
And Sweet Potato Beats Sweetheart
Find Unique-But-Universal Details
Let Them Hang Themselves
Know The Way The World Works
The Mastermind Exception
Don't Laugh Away The Danger
Be Incomprehensible
Don't Flip That Metaphor
Two Hour Movie = One Hour Plot
You Have To Be Dense To Be Lean
Screw-Ups Don't Screw Up All Day
The Dark Side of Bio-Pics
Tone is a Tool
Lovers Can't Just Be Lovers
Opposition Creates Meaning
Redemption Requires Actual Guilt
Don't Start From Scratch
Embrace Teleportation
Mentors are Overrated
Disabilities Aren't Personality Flaws
Confront the Great Hypocricy
Training Sequences Are Death
Sometimes Winning Isn't Enough
Everybody's Success Helps Everybody
Write the Emotions You Know
Huge Problems Need Huge Motivation
Outlandish Plots, Realistic Emotions
Sturgeon, Zeno, and Easy Street
Don't Misuse the Power of Humilation
Let Your Characters Object
We'll Care if the Hero Cares
You Can't Always Want What You Get
Play By The Rules
Make a Rule to Break a Rule
Money Is Too Generic
Literature Vs. Entertainment
Speak Their Language And Your Own
Polarize Your Protagonists...
...But Don't Play Favorites
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About Me

Matt Bird: Evanston, Illinois, United States; My book "The Secrets of Story: Innovative Tools for Perfecting Your Fiction and Captivating Readers", from Writer's Digest Press, is available in all fine bookstores. I have an MFA in Screenwriting from Columbia University.

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More info about all these movies at the Internet Movie Database
Aggregated movie reviews at Rotten Tomatoes
My lovely wife's blog at School Library Journal

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