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The AR part was subtle. In bright daylight, Eng was a soft overlay on his tablet screen: freckles that caught digital sunlight, the suggestion of a sweater that never actually warmed him. Best in low light, the projection could spill into his living room like an invitation. When he set the cylinder on the table and dimmed the lamp, she appeared on the couch across from him, her elbows resting on her knees, leaning in. The effect was less holographic spectacle and more theater of intimacy — light, shadow, and context tracking that made the scene feel present.

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